Art and robotics: sixty years of situated machines
Identifieur interne : 000063 ( Main/Exploration ); précédent : 000062; suivant : 000064Art and robotics: sixty years of situated machines
Auteurs : Simon Penny [États-Unis]Source :
- AI & SOCIETY [ 0951-5666 ] ; 2013-05-01.
Descripteurs français
- Wicri :
- topic : Intelligence artificielle, Cybernétique, Robotique.
English descriptors
- KwdEn :
Abstract
Abstract: This paper pursues the intertwined tracks of robotics and art since the mid 20th century, taking a loose chronological approach that considers both the devices themselves and their discursive contexts. Relevant research has occurred in a variety of cultural locations, often outside of or prior to formalized robotics contexts. Research was even conducted under the aegis of art or cultural practices where robotics has been pursued for other than instrumental purposes. In hindsight, some of that work seems remarkably prescient of contemporary trends. The context of cultural robotics is a highly charged interdisciplinary test environment in which the theory and pragmatics of technical research confronts the phenomenological realities of physical and social being in the world, and the performative and processual practices of the arts. In this context, issues of embodiment, material instantiation, structural coupling, and machine sensing have provoked the reconsideration of notions of (machine) intelligence and cognitivist paradigms. The paradoxical condition of robotics vis-à-vis artificial intelligence is reflected upon. This paper discusses the possibility of a new embodied ontology of robotics that draws upon both cybernetics and post-cognitive approaches.
Url:
DOI: 10.1007/s00146-012-0404-4
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream Istex, to step Corpus: 000701
- to stream Istex, to step Curation: 000701
- to stream Istex, to step Checkpoint: 000016
- to stream Main, to step Merge: 000063
- to stream Main, to step Curation: 000063
Le document en format XML
<record><TEI wicri:istexFullTextTei="biblStruct"><teiHeader><fileDesc><titleStmt><title xml:lang="en">Art and robotics: sixty years of situated machines</title><author><name sortKey="Penny, Simon" sort="Penny, Simon" uniqKey="Penny S" first="Simon" last="Penny">Simon Penny</name></author></titleStmt><publicationStmt><idno type="wicri:source">ISTEX</idno><idno type="RBID">ISTEX:E0C9EEA953D66ECBF7A78A5A81CD5EE6CC49F68B</idno><date when="2012" year="2012">2012</date><idno type="doi">10.1007/s00146-012-0404-4</idno><idno type="url">https://api.istex.fr/document/E0C9EEA953D66ECBF7A78A5A81CD5EE6CC49F68B/fulltext/pdf</idno><idno type="wicri:Area/Istex/Corpus">000701</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Corpus" wicri:corpus="ISTEX">000701</idno><idno type="wicri:Area/Istex/Curation">000701</idno><idno type="wicri:Area/Istex/Checkpoint">000016</idno><idno type="wicri:explorRef" wicri:stream="Istex" wicri:step="Checkpoint">000016</idno><idno type="wicri:doubleKey">0951-5666:2012:Penny S:art:and:robotics</idno><idno type="wicri:Area/Main/Merge">000063</idno><idno type="wicri:Area/Main/Curation">000063</idno><idno type="wicri:Area/Main/Exploration">000063</idno></publicationStmt><sourceDesc><biblStruct><analytic><title level="a" type="main" xml:lang="en">Art and robotics: sixty years of situated machines</title><author><name sortKey="Penny, Simon" sort="Penny, Simon" uniqKey="Penny S" first="Simon" last="Penny">Simon Penny</name><affiliation wicri:level="2"><country xml:lang="fr">États-Unis</country><wicri:regionArea>Claire Trevor School of the Arts, University of California, Irvine, CA</wicri:regionArea><placeName><region type="state">Californie</region></placeName></affiliation><affiliation wicri:level="1"><country wicri:rule="url">États-Unis</country></affiliation></author></analytic><monogr></monogr><series><title level="j">AI & SOCIETY</title><title level="j" type="sub">Journal of Knowledge, Culture and Communication</title><title level="j" type="abbrev">AI & Soc</title><idno type="ISSN">0951-5666</idno><idno type="eISSN">1435-5655</idno><imprint><publisher>Springer-Verlag</publisher><pubPlace>London</pubPlace><date type="published" when="2013-05-01">2013-05-01</date><biblScope unit="volume">28</biblScope><biblScope unit="issue">2</biblScope><biblScope unit="page" from="147">147</biblScope><biblScope unit="page" to="156">156</biblScope></imprint><idno type="ISSN">0951-5666</idno></series></biblStruct></sourceDesc><seriesStmt><idno type="ISSN">0951-5666</idno></seriesStmt></fileDesc><profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Artificial intelligence</term><term>Cognitivism</term><term>Cybernetics</term><term>Media art</term><term>Robotic art</term><term>Robotics</term><term>Situated cognition</term></keywords><keywords scheme="Wicri" type="topic" xml:lang="fr"><term>Intelligence artificielle</term><term>Cybernétique</term><term>Robotique</term></keywords></textClass><langUsage><language ident="en">en</language></langUsage></profileDesc></teiHeader><front><div type="abstract" xml:lang="en">Abstract: This paper pursues the intertwined tracks of robotics and art since the mid 20th century, taking a loose chronological approach that considers both the devices themselves and their discursive contexts. Relevant research has occurred in a variety of cultural locations, often outside of or prior to formalized robotics contexts. Research was even conducted under the aegis of art or cultural practices where robotics has been pursued for other than instrumental purposes. In hindsight, some of that work seems remarkably prescient of contemporary trends. The context of cultural robotics is a highly charged interdisciplinary test environment in which the theory and pragmatics of technical research confronts the phenomenological realities of physical and social being in the world, and the performative and processual practices of the arts. In this context, issues of embodiment, material instantiation, structural coupling, and machine sensing have provoked the reconsideration of notions of (machine) intelligence and cognitivist paradigms. The paradoxical condition of robotics vis-à-vis artificial intelligence is reflected upon. This paper discusses the possibility of a new embodied ontology of robotics that draws upon both cybernetics and post-cognitive approaches.</div></front></TEI><affiliations><list><country><li>États-Unis</li></country><region><li>Californie</li></region></list><tree><country name="États-Unis"><region name="Californie"><name sortKey="Penny, Simon" sort="Penny, Simon" uniqKey="Penny S" first="Simon" last="Penny">Simon Penny</name></region><name sortKey="Penny, Simon" sort="Penny, Simon" uniqKey="Penny S" first="Simon" last="Penny">Simon Penny</name></country></tree></affiliations></record>Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/XenakisV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 000063 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 000063 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien
|wiki= Wicri/Musique
|area= XenakisV1
|flux= Main
|étape= Exploration
|type= RBID
|clé= ISTEX:E0C9EEA953D66ECBF7A78A5A81CD5EE6CC49F68B
|texte= Art and robotics: sixty years of situated machines
}}
| This area was generated with Dilib version V0.6.33. |  |